Topical retinoids (such as tretinoin) are also sometimes used to treat sun damage and photodamaged skin. Tretinoin is most commonly used to treat acne, including mild acne, moderate acne, severe acne, cystic acne, and beyond. Tretinoin is part of a class of medications called retinoids and is a specific type of topical medication known to diminish acne by speeding up your skin’s natural cell turnover rate. Your body sheds dead skin cells every 40 to 56 days to renew and replace your skin. Add some bacteria and inflammation to the mix and you get pustules, papules and cysts. Lifestyle choices like washing your face too often or not cleansing your skin after working out can also lead to problems.Īnd as we mentioned above, dead skin cells sometimes don’t shed properly and block pore openings, which can fill up with sebum. If family members are prone to oily skin or acne-prone skin, you may also be. Hormonal imbalances, like the ones that occur during adolescence or your period. What kicks your body’s sebum production into overdrive? Here are a few of the most common culprits: Add some bacteria to the mix and you get biiiig trouble in the form of moderate to severe acne - pustules, papules, cysts and all that fun stuff. Add some dead skin cells to the mix and you have acne. Plus, it forms a barrier on your skin to protect it from bacteria and other environmental factors.īut if too much sebum is produced, it can block pores. It’s created by your sebaceous glands to lubricate your skin and hair. Under normal circumstances, sebum is actually good for your skin health. It develops when your pores become clogged with a mixture of sebum and dead skin cells. A primer on acneįirst, you should know that acne vulgaris (you probably know it simply as “acne”) is a very common skin condition that anyone can experience - and at any age. In the meantime, learn a bit more about the medication - including which strength is best for acne. If you’re interested in trying this acne medication, you’ll have to connect with a board-certified dermatologist or other healthcare provider. In fact, it’s considered by many derms to be the gold standard in treating tough acne.Įven better, tretinoin comes in a few different concentrations, so you can tailor it to your specific skin needs. It’s a prescription cream that dermatologists often prescribe to treat acne, photodamaged skin, or signs of aging. Perhaps you’ve heard of topical tretinoin.
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Barry sings in a pinched yip on “Jive Talkin’,” but that voice isn’t what it would become. It’s a 7.) After hearing Barry hit a big ad-libbed wail on that track’s outro, Mardin asked him if he could “scream in tune.” He could, and that’s basically what he did for the rest of his career. Barry Gibb didn’t harness the full power of his ear-shattering falsetto until Mardin heard what he could do on “ Nights On Broadway,” another track from Main Course. Main Course, the album that produced “Jive Talkin’,” was about half sleepy ballads. With “Jive Talkin’,” the Bee Gees hadn’t yet fully developed the disco side of their sound. They twisted the sound to suit their own voices, and in the process, they lifted it to the center of pop. And yet the Bee Gees were so good at making disco that I just can’t begrudge them. Plenty of people hate the Bee Gees for that. That’s an age-old story of music-business fuckery: Rich white rock stars hijacking music that had belonged to the people living on the periphery. And within a couple of years, they’d effectively turned themselves into the faces of the genre. The Bee Gees hadn’t come out of the culture that produced disco. You could argue, with plenty of justification, that the Bee Gees were culture vultures - struggling folk-rock balladeers who blundered their way into massive success by capitalizing on a new wave of underground music coming out of clubs that were gay and black. They were so utterly unschooled in black American vernacular that they started out writing the wrong damn song. Mardin had to explain that it meant bullshitting, and the Bee Gees rewrote the track to fit that idea. In any case, it was originally Mardin who suggested that they change the song, originally titled “Drive Talking,” into “Jive Talkin’.” When they finished the first draft of the song, the Bee Gees thought “jive talking” was some kind of dance. That seems a little suspect to me the Brothers Gibb might not have known what kind of beat the clubs demanded, but Arif Mardin sure did. The Bee Gees claim that they got the beat from “Jive Talkin'” - the stupendous four-on-the-floor bounce - from the sound that their car made when they drove over Miami’s Julia Tuttle Causeway. And all of a sudden, they discovered the beat. The Bee Gees moved to Miami, a city with a strong club culture. New label boss Ahmet Ertegün paired them up with producer Arif Mardin, who’d worked similar magic for the Average White Band on “Pick Up The Pieces.” Mardin went about remaking the Bee Gees as a white R&B group. The Bee Gees had been struggling for a few years when they signed with Atlantic. But the group’s turn toward R&B - they weren’t quite calling it disco yet - was still a sudden and conscious decision. And that run begins with “Jive Talkin’.”Įven in their folk-rock years, there had always been an element of soul to the Bee Gees, to the way those three brothers bounced their unearthly-high voices off of each other. That period of total takeover ended quickly and suddenly, but it still makes for one hell of a run. In 1978, the trio’s peak year, Bee Gees-related songs were at #1 more often than not. That’s more than anyone else over the entire course of the decade, and that’s not even counting the #1 hits that they wrote and produced for baby brother Andy Gibb and for others. Over the latter half of the ’70s, the Bee Gees landed eight songs at #1, holding down the spot for a grand total of 23 weeks. After disco, they became, for a short period, unstoppable juggernauts. Before disco, the Bee Gees were a successful group, and they had one #1 single, 1971’s “ How Can You Mend A Broken Heart,” to their credit. In terms of pop-chart dominance, the Bee Gees were the closest thing that the ’70s had to the Beatles. But in terms of sheer commercial force, none of them holds a candle to what happened when the Bee Gees went disco and, in the process, turned themselves into a fucking tidal wave. In The Number Ones, I’m reviewing every single #1 single in the history of the Billboard Hot 100, starting with the chart’s beginning, in 1958, and working my way up into the present.ġ975 was a banner year for white British men getting fascinated with black American music, doing everything they could to put their own spin on it: Elton John’s “ Philadelphia Freedom,” the Average White Band’s “ Pick Up The Pieces,” the David Bowie song that will show up in this column soon enough. |
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